عنوان: برای

:خلاصه

23:03

I want to place this work within the genealogy of Fluxus and other instructional work, stemming from Russian constructivists like Malevich (especially when you mentioned building this at a monumental scale) and maybe also Sol Le Witt and the Christos. I think what I'm finding conceptually interesting is the idea of a work yet unrealised. And formally the schoolyard materials of paperclips and the contrast in fluidity/hesitancy in the line work.

I also feel like I'm pick [sic] up on biopower as a theme, from a machinery extending from a nucleaus. It reminds me also of Boetti's mathematical explorations of his spiritual ideas about gyres and order and disorder of the world.

23:07

Part of the reason I bring up Boetti as well is the two lines placed to the right bottom corner, I'm reading as a kind of unintelligible signature, which it [sic] something he played with, within his more spiritual ideas about Artist as Mystic and also as an exploration of visual language formation.

۱:۱۰۰۰ :قصه

مواد: کاغذ، نشانگر، خودکار، گیره کاغذ، نوار

خانه